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Between and Mortarboard

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8 UMMA Objects
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This round terracotta sphere has a reddish tint to its rough and cracked exterior.
Grace Farrar Knowlton (American (North American))
Sphere (Small)
1970 – 2015
Gift of the Estate of James van Sweden
2015/2.39
This terracotta ball has a rough surface with a series of cracks.
Grace Farrar Knowlton (American (North American))
Sphere (Medium)
1970 – 2015
Gift of the Estate of James van Sweden
2015/2.37
This sculpture has a series of intersecting steel sheets with jagged edges to create a single figure.
Arthur Gibbons (American (North American))
Telamon
1989
Gift of Jack A. and Noreen Rounick
2015/2.101
Large rectangular and square forms clustered on top of each other in a random pattern, strong horizontal lines.
Tom Gibbs
Untitled
1982
Gift of Sidney C. Kleinman
2013/2.364

James Crawford
Detroit's Garland Stove
1974
Gift of Detroit Workshop of Fine Prints
1975/1.55
Large bronze sculpture resembling a headless human figure. The surface texture is very rough with deep voids and coarse patches of metal. The brown patina has a whitish tinge.
Michele Oka Doner (American (North American))
Angry Neptune
2008
Museum purchase made possible by a bequest from Clarence and Ruth Roy, the W. Hawkins Ferry Fund, and the support of the artist
2009/1.466
A large bronze sculpture resembling a headless and armless human figure standing with one foot forward. The surface texture is irregular and rough, with long vertical striations—resembling tree bark—and varied, colored patinas including gold, green, and whiteish gray.
Michele Oka Doner (American (North American))
Strider
2008
Museum purchase made possible by a bequest from Clarence and Ruth Roy, the W. Hawkins Ferry Fund, and the support of the artist
2009/1.468
Large bronze sculpture resembling a headless human figure. The surface texture is very rough with deep voids and coarse patches of metal. The brown patina has areas with a greenish tinge.
Michele Oka Doner (American (North American))
Salacia
2008
Museum purchase made possible by a bequest from Clarence and Ruth Roy, the W. Hawkins Ferry Fund, and the support of the artist
2009/1.467
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